Fitzgerald, Hemingway, and the Twenties
Choice Outstanding Academic Book
Narrated by David Randall Hunter
Approximately 7 hours
Book published by University of Alabama Press
A noted scholar offers fresh ways of looking at two legendary American authors.
Both F. Scott Fitzgerald and Ernest Hemingway came into their own in the 1920s and did some of their best writing during that decade. In a series of interrelated essays, Ronald Berman considers an array of novels and short stories by both authors within the context of the decade's popular culture, philosophy, and intellectual history. As Berman shows, the thought of Fitzgerald and Hemingway went considerably past the limits of such labels as the Jazz Age or the Lost Generation.
Both Fitzgerald and Hemingway were avid readers, alive to the intellectual currents of their day, especially the contradictions and clashes of ideas and ideologies. Both writers, for example, were very much concerned with the problem of untenable belief—and also with the need to believe. In this light, Berman offers fresh readings of such works as Fitzgerald's The Great Gatsby, "Bernice Bobs Her Hair," and "The Diamond as Big as the Ritz" and Hemingway's "The Killers," A Farewell to Arms, and The Sun Also Rises. Berman invokes the thinking of a wide range of writers in his considerations of these texts, including William James, Alfred North Whitehead, Walter Lippman, and Edmund Wilson.
Berman's essays are driven and connected by a focused line of inquiry into Fitzgerald's and Hemingway's concerns with dogma both religious and secular, with new and old ideas of selfhood,and, particularly in the case of Hemingway, with the way we understand, explain, and transmit experience.
Ronald Berman is Professor of English at the University of California at San Diego and past chairman of the National Endowment for the Humanities. He is author of six books, including The Great Gatsby and Fitzgerald's World of Ideas and Fitzgerald-Wilson-Hemingway: Language and Experience.
“Berman is masterful at connecting these writers with their times.”
—Scott Donaldson, College of William and Mary
“Ronald Berman has done it again. He has found freshways to read the works of writers we might have considered already the subject of too much previous criticism. Here he focuses his impressive command of the philosophical, psychological, literary, and cultural landscape of the 20th century on the fiction of Fitzgerald and Hemingway. The result is a series of suggestive and helpful readings that provide fascinating new ways of reading familiar works by both writers.”
—Jackson Bryer, University of Maryland
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